Il gorilla + la capra

I take a trap punchline (“the gorilla + the goat”) and translate it into an image, stripping away its self-glorifying rhetoric.

I replicate the core gesture of trap — self-exaltation — but turn it onto myself, pushing it to the point of exaggeration until it collapses.

Once removed from its musical context and turned into a visual ready-made, self-celebration loses its charge and reveals itself as an empty, easily reproducible form.